Best camera for food photography in 2023

Whether you’re shooting pictures of your supper for Instagram or treating it a little more seriously, you’ll want to make your food seem as good as it deserves. The finest camera for food photography is just waiting for you to discover it.

Getting your meal to appear excellent can be difficult. Even if some cuisine may be delicious, it can be challenging to convey this in a photograph. You can be dissatisfied with the outcomes if you use poor lighting, dubious angles, or faulty equipment.

Our list can help with that, at least with the last point. We’ve chosen a wide range of cameras and models that are all in some manner appropriate for food photography. You’ll find something to suit your needs here, whether you’re a phone snapper, a novice trying to advance, or someone more experienced.

It can be more straightforward to select the best mirrorless camera, best DSLR, or best compact camera as the finest camera for food photography. Even while the cameras in those guides are fantastic, they frequently excel in some capacities but need to catch up in others, including food photography.

Which is the best camera for food photography?

best camera for food photography
Sony A7R IV

1. Sony A7R IV

Brand: Sony | Form Factor: Mirrorless | Effective Still Resolution: 61 MP | Special Feature: BIONZ X Image Processor and Front-End LSI; 567-Point Phase-Detection AF System; 5-Axis SteadyShot INSIDE StabilizationBIONZ X Image Processor and Front-End LSI; | Connectivity Technology: Wi-Fi, USB | Screen Size: 3 Inches | Photo Sensor Size: Full Frame (35mm) | Product Dimensions: 5.13 x 3.88 x 3.13 inches | Item Weight: 1.27 pounds | Batteries: 1 Lithium Ion battery required. (included) | Manufacturer: Sony |

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The features of Sony’s a7R IV full-frame mirrorless camera are astounding. The sensor is 60 MP, and full-frame autofocus is included.

Additionally, it offers a Pixel Shift mode for tripod shooting if that isn’t enough detail for your billboard-sized food pictures. This increases the number of pixels to 241 MP.

It is also very well connected with Wi-Fi that can operate at up to 5 GHz, Bluetooth, NFC, and FTP for file transfers. Its pro credentials are strengthened by two card slots and the optional battery grip.

Another outstanding feature of food photography is the camera’s exceptional high ISO performance.

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  • Very high-resolution sensor
  • Excellent manual focus option
  • Many focal points
  • Expensive
Canon PowerShot G7X III

2. Canon PowerShot G7X III

Brand: Canon | Model Name: PowerShot G7X Mark III BK | Form Factor: Compact | Effective Still Resolution: 20.1 MP | Optical Zoom: 4.2 x | Connectivity Technology: Wi-Fi, NFC | Sensor: 1-inch Stacked CMOS | Megapixels: 20.1 Megapixels | Image Processor: DIGIC 8 | ISO: ISO 125–12800 | Continuous Shooting: Up to 20.0 fps | LCD: 3-inch Tilt Touch | Video Recording: 4K 30p/Full HD 120p |

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Manufacturers of cameras used to provide dozens of models with a wide range of capabilities. Smartphones stopped that. But there are still some compelling reasons to pick Canon’s high-tech compact over the camera on your phone.

The 1-inch sensor on the G7X III is more significant than most smartphone semiconductors, which usually results in blurrier backgrounds and better low-light performance. The 24-100mm f/1.8-2.8 lens attached should handle almost any situation inside or outside of a restaurant.

To enter the edit with the most amount of image data possible, it captures raw photographs and enables full manual options for creative photography. When it becomes too dark, you may quickly illuminate your subject using the built-in flash. And unlike the lame LED flashlight you get with a smartphone, this flash works.

When trying to get the composition of your dumplings, this full-featured camera will fit comfortably into a large pocket and won’t attract any notice to you.

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  • Fast 24-100mm equivalent zoom lens,
  • Built-in flash for super-dark locations,
  • Tilting the screen for shooting at weird angles,
  • Very compact,
  • Affordable compared to system cameras,
  • No interchangeable lenses,
Canon RP

3. Canon RP

26.2MP full-frame CMOS, 35.9 x 24mm | Image processor: Digic 8 | AF points: 4,779 Dual Pixel | Max image size: 6,240 x 4,160 | Metering modes: Evaluative, partial, spot, center-weighted | Video: 4K at 25p, FHD at 25p/50p, HD at 25/50p | Viewfinder: 0.39-inch EVF, 2.36m dots, 100% coverage | Memory card: SD / SDHC / SDXC (supports UHS-II) | LCD: 3-inch fully articulating touchscreen, 1.04m dots | Max burst: 5fps (One Shot), 4fps (Servo AF) | Connectivity: Wi-Fi, Bluetooth | Size: 132.5 x 85 x 70mm | Weight: 440g (body only; 485g with card and battery) |

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Considering its price, Canon’s smallest and lightest full-frame camera offers outstanding image quality. The body alone is affordable for a full-frame model at under $1,000.

Its 26.2-megapixel resolution gives many cropping options for internet photo posting. It uses Canon’s superior color science, which creates realistic, natural-looking colors, especially when shooting raw.

Its native RF mount gives users access to Canon’s new lenses. At the same time, the $99 first-party adapter virtually makes the company’s legacy EF DSLR lenses work without suffering any performance penalties. The screen’s complete rotation is also a welcome addition.

It makes photography from almost any angle simpler. For someone switching from the Canon DSLR system or wishing to invest in the new Canon mirrorless cameras, this is a fantastic alternative.

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  • Full-frame sensor at a surprisingly low price
  • Excellent image quality
  • Fully articulated screen
  • Versatile lens mount
  • Compact
  • Limited tactile controls
Fujifilm X-T30 II

4. Fujifilm X-T30 II

Sensor: 26.1MP APS-C X-Trans CMOS 4 | Image processor: X-Processor 4 |AF points: 2.16 million phases AF pixels, 100% coverage | ISO range: 160 to 12,800 (exp. 80-51,200) | Max image size: 6,240 x 4,160 | Metering modes: TTL 256-zone metering, Multi / Spot / Average / Center Weighted | Video: 4K DCI/UHD at 30p, 25p, 24p | Viewfinder: EVF, 2.36m dots, 100% coverage | Memory cards: SD/SDHC/SDXC, UHS-I | LCD: 3-inch tilting touchscreen, 1.62m dots |Max burst: 8fps mechanical shutter, up to 30fps with electronic shutter and 1.25x crop |Connectivity: Wi-Fi, Bluetooth |Size: 118.4 x 82.8 x 46.8mm |Weight: 378g (with card and battery) |

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Some of the most excellent features of the Fujifilm X-T30 II are taken from more costly models in the lineup. It features a 26.1-megapixel X-Trans sensor with the distinctive color reproduction of Fujifilm. The film simulation modes offer a startlingly authentic and energetic appearance. That is useful if you want to upload photographs taken with the camera to your phone immediately.

The body has a tiny DSLR-like appearance and fits well in your hand. I adore the fact that Fujifilm still gives aperture rings on its lenses. The shutter speed, mode, and exposure compensation dial are all conveniently located on the top of the camera body, making it easy to quickly alter your settings while not pausing to think about what you’re doing.

The screen tilts but does not fully rotate, which helps get low-angle photographs without having to duck beneath the table. The X-T30 II’s sophisticated autofocus technology will have no issue keeping up even if you want to use it to capture images of objects that move faster than a still grilled cheese sandwich. This tiny camera is very fantastic.

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  • The full-frame sensor at a surprisingly low price.
  • Excellent image quality.
  • Fully articulated screen.
  • Versatile lens mount.
  • Compact.
  • Limited tactile controls.
Nikon Z7 II

5. Nikon Z7 II

Brand: Nikon | Model Name: Z 7II FX-format Mirrorless Camera Body w/ NIKKOR Z 24-70mm f/4 S | Form Factor: Mirrorless | Effective Still Resolution: 45.7 MP | Special Feature: Dual EXPEED 6 Image Processors; 493-Point Phase-Detect AF System; 5-Axis In-Body Vibration Reduction | Optical Zoom: 2.9 x | Connectivity Technology: Bluetooth, Wi-Fi, USB, HDMI, GPSScreen Size: 3.2 Inches | Photo Sensor Size: Full Frame (35mm) | Product Dimensions: 8.78 x 2.74 x 3.96 inches | Item Weight: 3 pounds | Batteries: 1 Lithium Ion batteries required. (included) | Manufacturer: Nikon |

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Nikon’s top-tier mirrorless camera is the Z9, but the Z7 II is equally skilled at capturing images of food. The Z7 II’s 45.7 megapixels are more than enough resolution for large prints or in-depth cropping. When used with one of Nikon’s contemporary lenses, it can extract utterly ridiculous quantities of detail from a scene.

The Z7 II body contains two image processors. Together, they can shoot quickly and produce obvious photographs even in low light. Food photography benefits greatly from in-body image stabilization because it enables you to utilize a little longer shutter speed without worrying about motion blur introducing itself into the image.

Of course, this camera isn’t inexpensive. If you don’t want to spend the money on a Z7 II, the older Z6 still has a lot of comparable capabilities despite having fewer megapixels. You’ll make up for any resolutions you give up by having more money in your restaurant budget.

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  • 4K 60 fps video,
  • The SD card slot is a welcome addition,
  • 5-axis stabilization,
  • Good handling and a rugged body,
  • Excellent image quality,
  • EVF resolution is lower than rivals,
  • Tilt-angle display, not vari-angle,
  • Medium shooting speed,
  • No internal 10-bit video recording,
  • A modest refresh,
  • Rivals have superior AF for action,
Canon R5

6. Canon R5

Sensor: 45MP full-frame CMOS 36 x 24mm | Image processor: Digic X | AF points: 5,940 Dual Pixel CMOS AF II | ISO range: 100-51,200 (expandable to 50-102,400) | Stabilization: 5-axis, up to 8 stops | Max image size: 8,192 x 5,464px | Metering zones: 384 | Viewfinder: 0.5-inch OLED EVF, 5,690k dots, 100% coverage, 0.76x magnification, 120fps refresh rate | Memory card: 1x CFexpress type B, 1x UHS-II SD/SDHC/SDXC | LCD: 3.15-inch fully articulating touchscreen, 2,100k dots | Max burst: 12fps mechanical shutter, 20fps electronic shutter |Weight: 650g body only (738g with card and battery) |

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The professional-grade mirrorless workhorse from Canon is a fantastic choice for food photography. The camera’s 45-megapixel sensor and two image processors produce high-quality images overall. With the top-mounted display that Canon gave the R5, it is simple to check settings even when you are not looking at the screen or viewfinder.

Numerous programmable dials and buttons are provided in the arrangement, which makes it easy to use the controls. If you wish to move beyond still photographs and into food vlogging in the future, advanced video features like 8K video and raw video capture may be helpful. There too, the thoroughly articulating screen will be beneficial.

This is the camera to beat for food photography in terms of specs. I utilized it for multiple food magazine assignments over the past year. Its pure performance and excellent resolution make it the most flexible option for a pro in this industry.

The Canon R6 offers many of the same capabilities for less money if you can’t afford the R5. It would be best if you were careful while framing your shots because you won’t be able to crop as much because it will reduce the resolution to 20 megapixels.

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  • Extremely high image quality,
  • Los of solutions,
  • Versatile rotating screen,
  • Canon color science,
  • Advanced video features,
  • Expensive,
Sony A7 IV

7. Sony A7 IV

Sony model number: ILCE-7M4 (body only), ILCE-7M4K (with 24-70mm) | Sensor: 33MP full-frame Exmor R CMOS |Image processor: BIONZ XR | AF points: 759-point hybrid phase/contrast-detect | ISO range: 100 to 51,200 (exp. 204,800 stills, 102,400 videos) | Max image size: 7,008×4,672 | Metering modes: Multi-segment, Center-weighted, Spot (Standard / Large), Avg, Highlight |Memory cards: 1x CFexpress Type A/SD UHS-II, 1x SD UHS-II | LCD: 3-inch fully articulating touchscreen, 1.04m dots | Max burst: 10fps, up to 828 raw+JPEG (with CFexpress Type A card) | Connectivity: Wi-Fi, Bluetooth | Size: 131.3 x 96.4 x 79.8mm | Weight: 658g (with card and battery) |

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One of the top mirrorless cameras available right now is the Sony A7 IV. It has a well-balanced feature package that makes it comfortable in almost every shooting scenario. It achieves a superb blend of quality and efficiency with its 33 megapixels. To take a lot of images, you won’t need to bring a wallet’s worth of memory cards. However, there will be plenty of flexibility for cropping during editing.

Recent Sony models have significantly improved the menu experience, and the A7 IV offers reliable tactile controls owing to programmable buttons and knobs. The screen has complete articulation, which is a huge plus. The rotation is more valuable than the straightforward tilting displays.

While the sophisticated AF system might not be used much for photographing food, it can be helpful when capturing chefs in motion or other food-related scenes. This camera is excellent all-around and ideally at home in a dining environment.

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  • 33 megapixels represents a nice balance of resolution and efficiency,
  • Excellent low-light performance,
  • Accurate autofocus,
  • Improved menus compared to older Sony models,
  • Fully articulated screen,
  • Some shooters prefer other brands’ color science to Sony’s,
iPhone 13 Pro

8. iPhone 13 Pro

Although several smartphone manufacturers have added bells and whistles to their cameras, I still think the iPhone is the best smartphone camera in terms of overall photographic performance.

Apple has offered photographers more choices when taming aggressive HDR, which still rules the smartphone camera market and causes photographs to look artificial.

The iPhone 13 Pro has new photo settings that create images with increased contrast and pop, supporting raw capture. It resembles what you may see from a specialized camera.

The camera module has three cameras available in terms of hardware. The typical wide-angle lens has a comparatively big sensor and a high-speed aperture.

The ultra-wide lens creates a perspective that is almost fisheye. The slower aperture of the telephoto lens is offset by its naturally smaller field of view.

Although the telephoto camera has improved in newer generations, I still believe the primary wide-angle camera offers the best performance in practically every circumstance.

There are some negatives. The undesirable effects of mixed light, which make food appear unappealing, can be amplified by the HDR mode, although this is true of all smartphone cameras. Carefully consider your composition because the 12-megapixel resolution is still somewhat poor.

Even yet, it’s challenging to shoot a genuinely terrible food photo with the contemporary iPhone camera in most lighting situations.

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  • Fast, constant aperture,
  • Very close focus,
  • Raw capture and new photo styles make for more natural images,
  • Low-light modes work well in many circumstances,
  • HDR can still be overzealous in mixed lighting,
Nikon D3400

9. Nikon D3400

Sensor: 24.2MP CMOS full-frame sensor | Lens mount: L mount | Image processor: Venus Engine | AF points: 225-area DFD contrast AF | ISO range: 100 to 51,200 | Max image size: 6000 x 4000 | Metering modes: 1728-zone multi-pattern sensing system, center-weighted, spot | Video: 4K/60p 10-Bit 4:2:0, FHD 180 fps S&Q mode | Viewfinder: EVF, 2.36m dots | Memory card: 1 x SD/SDHC/SDXC (UHS I), 1 x SD (UHS-II) | Connectivity: Wi-Fi, Bluetooth | Size: 132.6 x 97.1 x 81.9 mm | Weight: 714g (body with card and battery) |

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Another little, lightweight camera is this one. However, in this instance, that is partially due to the sensor’s small APS-C size. But given that this is a DSLR, its compactness is impressive. One of the best entry-level DSLRs is the Nikon D3400. It contains a 24 MP sensor and 11 focus points.

Although it is not as crucial with food photography, autofocus is speedy. However, the camera produces fantastic photographs and easily handles challenging lighting situations. All of this is useful when traveling.

This camera, like the Canon, provides access to an incredible array of lenses. Additionally, the D3400 is compatible with all AF F-mount lenses produced in the past and present without an aperture ring. There are a lot of lenses there.

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  • Compact and lightweight,
  • More than 700 shots per charge,
  • The presence of low digital noise at high ISO,
  • SnapBridge app,
  • User-friendly,
  • RAW images are less flexible,
Canon EOS 6D Mark II

10. Canon EOS 6D Mark II

Brand: Canon | Model Name: Canon EOS 6D Mark II | Form Factor: DSLR | Effective Still | Resolution: 26.2 MP | Special Feature: Travel Charger | Optical Zoom: 1 x | Screen Size: 3 Inches | Photo Sensor Size: Full Frame (35mm) | Product Dimensions: 2.9 x 5.7 x 4.4 inches | Item Weight: 3.45 pounds | Batteries: 1 CR5 battery required. (included) | Discontinued By Manufacturer: No | Date First Available: June 29, 2017 | Manufacturer: Canon |

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You are now a player in the whole frame market. The least-priced full-frame DSLR camera made by Canon is this one. It is a highly well-liked camera for food photography because of this.

It has a 26.2 MP sensor, a 45-point autofocus system, and a 40,000 ISO range (50-102,800 expanded).

The 6D Mark II’s ability to capture images in low light is one of its main selling factors. Down to -3EV, the system is sensitive. Additionally, it gains from Canon’s Dual Pixel CMOS AF, which implies that the image sensor includes phase detection pixels built-in. Even in low light, the autofocus is more precise as a result.

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  • Awesome color spectrum,
  • An easy-to-use touch LCD screen,
  • Excellent battery life,
  • The fantastic high ISO performance,
  • Simple and convenient Canon’s Touch screen menu,
  • Small AF coverage area
Canon EOS 5D Mark IV

11. Canon EOS 5D Mark IV

Brand: Canon | Model Name: 5D | Form Factor: DSLR | Effective Still Resolution: 30.4 MP | Special Feature: Travel Charger | Optical Zoom: 1 x | Color: Black | Connectivity Technology: HDMI | Screen Size: 3.2 Inches | Photo Sensor Size: Full Frame (35mm) | Product Dimensions:3 x 5.9 x 4.6 inches | Item Weight: 1.76 pounds | Batteries: 1 Lithium Metal batteries required. | Is Discontinued By Manufacturer: No | Date First Available: August 24, 2016 | Manufacturer: Canon |

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For a long time, food photographers have favored the Canon EOS 5D range. It’s an excellent all-purpose camera and a faithful worker. This camera is among the most popular and effective ones available today.

I’ve used these cameras since I became a professional and never looked back. The most recent 5D EOS camera is the Mark IV. It provides up to 32,000 IS0 and a 61-point AF system with 41 cross-type sensors (expandable to 50-102,400).

Additionally, it is the first full-frame Canon camera to focus in Live View while taking pictures. This camera is the ideal option if adaptability is what you’re after. This one can boost your food photography skills.

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  • Touch screen display with high resolution,
  • Wi-Fi module,
  • Amazing quality and great dynamic range,
  • Perfect ergonomics,
  • Incredible autofocus,
  • High price,
  • High-speed CFast cards support is absent,
  • Non-ISO sensitivity,
Nikon D850

12. Nikon D850

Brand: NikonModel | Name: Nikon D850 | Form Factor: Digital SLR | Effective Still Resolution: 45.7 MP | Special Feature: Digital camera | Optical Zoom: 1 x | Connectivity Technology: Bluetooth, USB, HDMI, NFC | Screen Size: 3.2 Inches | Photo Sensor Size: 35.9 mm x 23.9 mm | Product Dimensions: 5.8 x 3.1 x 4.9 inches | Item Weight: 2.02 pounds | Batteries: 1 Lithium Ion battery required. (included) | Date First Available: August 24, 2017, | Manufacturer: Nikon |

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One of Nikon’s most technologically advanced cameras is the D850. It offers a shutter vibration-free setting that is excellent for food photography. It gets rid of the requirement for a remote release. Another advantage is the enormous sensor and the complex white balance choices.

In food photography, tricky lighting is occasionally typical and always undesirable. There are settings on the Nikon to handle various types of flickering artificial light. Added benefit.

The D850 provides the features and performance that a jobbing pro would expect, in addition to being a reliable, professional workhorse. Some have two card slots, excellent dynamic range and ISO performance, up to 9 fps continuous shooting, and optional battery grip.

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  • Full-frame 45,7MP image sensor
  • Advanced and proven AF system
  • 7 fps burst mode; 9 fps with battery grip
  • Robust, weather-sealed design
  • 4K video
  • Bluetooth and Wi-Fi
  • Live View Focus uses contrast detection only.
  • Wi-Fi and Bluetooth connections are not always reliable
  • SnapBridge is still clunky
  • Expensive
  • Excludes built-in flash
Panasonic Lumix S5

13. Panasonic Lumix S5

Sensor: 24.2MP CMOS full-frame sensor | Lens mount: L mount |Image processor: Venus Engine | AF points: 225-area DFD contrast AF | ISO range: 100 to 51,200 |Max image size: 6000 x 4000 | Metering modes: 1728-zone multi-pattern sensing system, center-weighted, spot | Video: 4K/60p 10-Bit 4:2:0, FHD 180 fps S&Q mode | Viewfinder: EVF, 2.36m dots | Memory card: 1 x SD/SDHC/SDXC (UHS I), 1 x SD (UHS-II) | LCD: 3-inch vari-angle touchscreen, 1.84m dots | Max burst: 7 fps (mechanical shutter), 6K Photo Mode (18MP @ 30fps) | Connectivity: Wi-Fi, Bluetooth | Size: 132.6 x 97.1 x 81.9 mm | Weight: 714g (body with card and battery) |

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The Panasonic Lumix S5 is perfect for taking pictures of food. It is solid and lightweight. Additionally, it’s one of the top low-light cameras available.

The image resolution of 24.2 MP is more than adequate. However, the Lumix S5 boasts a killer set of specifications. It boasts reliable picture stabilization, a wide ISO range, and cutting-edge autofocus.

51,200 is the highest ISO setting. As you get closer to the limit, noise also becomes an issue. But across the ISO range, you can still take usable pictures. You also have V-Gamut mode for a dynamic range of 14 stops or more.

You’ll have a lot simpler time because the autofocus system features head, facial, and eye detection. And in this pricing range, the 5-axis in-body stabilization technology is unmatched. It allows for slower shutter speeds by giving you an additional 6.5 stops of flexibility. For photographing in low light, this is ideal.

Excellent video capture and burst mode are also features of the Lumix S5. So it’s one of the best cameras for low-light filming if you’re a videographer or YouTuber with limited lighting.

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  • Excellent 24MP full-frame sensor
  • 5-axis IBIS
  • Advanced DFD Focus System
  • 10-bit 4K60 video
  • 5.9K ProRes Raw with Ninja V
  • Dust and splash protection
  • Excellent ergonomics
  • Dual SDXC card slots
  • The L-mount lens library is still growing
  • The tracking focus is limited to 6fps
Olympus PEN-F

14. Olympus PEN-F

Sensor Four Thirds (17.4 x 13mm) LiveMOS sensor with 20.3 million effective pixels | Lens mount Micro Four Thirds | Focal length conversion or lens 2x | Memory SD/SDHC/SDXC | Viewfinder Electronic viewfinder with 2,3600,000 dots | Max video resolution Full HD (1,920 x 1,080), 30fps | ISO range 200-25,600 (expandable to 80-25,600) | Autofocus points 81 | Max Burst rate 5fps with AF (10fps with AF locked at the start) | Screen 3-inch 1,037,000-dot TFT | Shutter speeds 1/8,000-60 sec plus Bulb | Weight 373g (body only) |Dimensions 125 x 72 x 37mm | Power supply Lithium-ion BLN-1 (supplied) |

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Compared to other cameras we’ve reviewed, the Olympus PEN-F is a tiny camera with a lot of power.

A 20MP Live MOS sensor is present. However, because it has a 50MP high-resolution shot mode, it’s an attractive option for people trying to gain clients by leveraging their photographic skills.

Additionally, it functions in hot settings (up to 40 degrees Celsius). Additionally, it boasts a 5-axis image stabilization technology that makes it simpler to use even with unsteady hands.

The micro four-thirds camera’s 10fps maximum frame rate enables photographers to capture every moment.

But it has sloppy AF, just like the OM-D E-M10 Mark IV. Additionally, it produces a lot of noise at ISO 200.

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  • High image quality
  • It offers an excellent feature set
  • Excellent image stabilization, even for video
  • Short exposure time, fast and versatile AF
  • Slow AF with continuous tracking
  • The video quality is not very good
  • No additional sealing against dust and splash water
Panasonic LUMIX DC-ZS70K

15. Panasonic LUMIX DC-ZS70K

Sensor: 20.3 megapixels 1/2.3-inch CMOS |Sensitivity range: ISO80 to ISO6400 |Video: 4K maximum resolution |Lens: 30x optical, 24-720mm equivalent, f/3.3-6.4 |Monitor: 3-inch, tilting 1040K-dot resolution LCD |Viewfinder: EVF |Battery life: Maximum 380 shots if using LCD, or around 250 images if using the EVF |Dimensions: 112×67.3×41.2mm |Weight: Approx. 322g with battery and SD card loaded |

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A fixed-lens camera that has gained popularity among bloggers is the Panasonic Lumix DC-ZS70K. This is because of its convenient design and excellent specifications.

It sports a Leica DC Vario Elmar Lens attached to a 20.3 MP MOS sensor. It is a favorite of folks who don’t know how to use challenging manual lenses since it makes excellent vlogging and food photography cameras.

It offers WiFi connectivity and the ability to record 4K footage. Additionally, you have intuitive control that makes it simple to customize the shot to your preferences.

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  • Pocket-sized dimensions but an effectively wide focal range make it a decent all-rounder,
  • Effective image stabilization,
  • Selfie functionality works well, and 4K resolution video is a bonus,
  • Some loss of definition and visible softness toward the edges of the frame at the widest lens setting
  • The eye-level viewfinder is too small to introduce eye strain and is, therefore, best ignored.
  • The camera grip can be improved.

How to choose the best camera for food photography?

Dimensions of the Sensor

The size of the sensor is the first consideration when looking for a new camera. Will you spend your money on a full-frame camera or a camera with a cropped sensor?

Your budget may most heavily influence your choice. It would be best to consider whether you work with a reputable agency. Many people won’t even consider partial frames. Therefore, it’s best to conduct research.

The cost of manufacturing a cropped sensor is lower for the producer. This makes high-quality digital cameras accessible to a broad range of customers at all price points. These cameras are frequently called “prosumer” cameras.

A cropped sensor device can produce excellent images. The problem is that a cropped sensor will cause your camera and lenses to act differently than they would with a full frame.

A full-frame device is equivalent to a classic film camera’s 35mm cropped standard. The sensor is 24 x 36 mm in size. More compact than this is a cropped sensor. The finished photographs seem different, and it doesn’t work with most lenses.

A crop factor exists on every camera. This figure indicates how much your image is being cropped from the 35mm format by the device. Crop factors for most full-frame cameras are typically 1. Others have a 1.3 format factor, such as the Canon 1Dx.

For instance, I initially used an APS-C Canon EOS camera with a crop factor of 1.6 to take pictures of food. This implies that to determine the actual focal length at which your photos will appear to have been taken, multiply your lens’ equivalent focal length by 1.6.

A 50mm lens performs more like an 80mm on a Canon Rebel. This lens is excellent for use with full-frame cameras to capture food.

Why else would so many food bloggers suggest the 50mm as a fantastic all-purpose lens for food photography? This isn’t always the case, especially if your camera is a full-frame model.

File Size

The majority of digital cameras today produce enormous file sizes. But if you ever want to print your photographs, you should be careful of the file size.

If you’re a food blogger, you frequently take pictures just for the internet. But what if you want to publish a cookbook or sell the rights to your culinary photography to stock photo companies someday? It’s essential to confirm that your camera can handle large file sizes.

Typically, this indicates a minimum of 3000 pixels on the short side. Make sure the camera you chose can capture RAW data as well.

Some photographers begin their shots with JPEG images. When they feel their skills have improved, they switch to shooting in RAW. However, I strongly advise everyone to start shooting in RAW and learn how to edit as soon as possible.

RAW files resemble a digital negative in many ways. In contrast to a JPEG file, they can endure repeated tweaking without data loss. With each change, a JPEG file’s quality deteriorates.

Thousands of times more information and color brightness are also packed within them. You have a limitless amount of leeway in how you approach post-processing.

Make sure the camera you select can shoot RAW files unless food photography is only a hobby for you.

ISO Standard

Most of the time, while photographing food, you should use a tripod. However, there may be times when you must hold your camera by hand. Similar to when photographing food in a restaurant or on location at a farm or winery.

Your ISO becomes crucial at this point. A camera that can handle a fair amount of noise is required. Despite advancements in camera technology, utilizing a high ISO unquestionably lowers the quality of the captured images.

Before the shoot, test how high your ISO can be pushed before the shoot if you’re shooting in the above situations.

Using post-processing tools like Lightroom, noise in an image can be reduced. However, they are unable to restore a lousy appearance fully.

Focus Points in Number

One of the main things that have affected my choice of a camera when making new purchases for food photography is this.

Some photographers use manual mode to focus. I need automatic focusing because I don’t have excellent eyesight.

Furthermore, while using manual focus, it’s straightforward to entirely miss concentrate even if you’re off by a small amount.

Consider that your camera has just nine focus points. There is a good chance that you won’t always be able to focus where you need to. This cannot be very pleasant.

Frequently Asked Questions

Which is better for food photography, a DSLR or a mirrorless camera?
Since DSLRs and mirrorless cameras offer cutting-edge functionality and excellent image capture, they may be used for food photography. Your particular requirements and tastes will determine whether you should buy a DSLR or mirrorless camera.

Do Professional Cameras Need to be Used for Good Food Photography?
For practical
food photography, a professional camera is not always required. High-end smartphones or point-and-shoot cameras can capture high-quality images just as effectively as professional cameras with extensive functionality, such as DSLRs or mirrorless cameras.

Do I need a full-frame camera to take pictures of food?
No, you don’t. Even though most of the cameras on this list have full-frame sensors, almost any camera can produce excellent food photography. The camera’s lens, the food, the lighting, and—more importantly—your technique all play a role. You can take beautiful food photos if you learn how to utilize your camera.

What is the ideal focal length for food photography?
What you want genuinely depends on your goals. When photographing food for magazines, I like a 24-70mm f/2.8 zoom lens since it enables me to maneuver about the setting. I can take overhead pictures of the meal’s surroundings using broader focal lengths. I can create hero shots and show details using more considerable focal lengths.

Additionally, I usually bring a macro lens in the 50–100mm range to capture excellent information. If you can only choose one focal length, I would recommend 50mm. If you wish to crop the image closer, you can do so, but you can still hold it over a table and take a picture of the scene without feeling constrained.

What kind of camera do experienced food photographers use?
On this list are two popular professional cameras for food photography, the Canon R5, and Nikon Z7 II. Additionally, the Sony A7 IV is very competent. Some Instagram-based food photographers only use their phones for their business. Professionals may utilize medium format digital cameras from Phase One or Hasselblad on costly tasks. However, this is more common in the studio because these cameras are too large to transport to a restaurant.

How much do the top cameras for taking pictures of food cost?
Any camera will do; the least expensive on this list is $750. It all depends on how you use it. The priciest camera on this list costs about $3,900, but you get a lot of flexibility and resolution, which are crucial to professionals. If you don’t have any money left to go food shopping, what use are the finest cameras for food photography?


If you have the money, invest in a full-frame camera to take food photos professionally. If you cannot afford new equipment, purchase a used one from a reliable dealer.

If you’re shooting in a studio, you should bring two cameras in case one of them breaks. As a photographer’s assistant in the past, I’ve witnessed this as a genuine possibility. Nothing is more frustrating than having a team of people rely on you to complete a task when your camera breaks down.

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